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Describing the musical partnership of Natalie Cressman and Ian Faquini as a duo is accurate, but their collaboration contains multitudes. She’s a trombonist, vocalist and songwriter from San Francisco. He’s a composer, guitarist, and singer from Brasilia. Together they’ve honed a singularly expansive creative communion encompassing their love of the Brazilian songbook, jazz, Impressionism and sophisticated pop songcraft.
Their original material features lyrics in Portuguese, French and English set to music drawing from a vast stylistic spectrum. With sumptuous two-part vocal harmonies hugging Brazilian-accented Portuguese accompanied by trombone and acoustic guitar, Cressman and Faquini’s richly orchestrated sound seems to emanate from a much larger ensemble.
Artist Profiles
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Ian Faquini writes exquisitely sophisticated Brazilian pop music in the omnivorous tradition known as MPB (música popular brasileira), which has often been deeply influenced by jazz. Born in Brasília and raised in Berkeley, Faquini is a protégé of Guinga, the revered Brazilian guitarist and songwriter whose tunes have been recorded by dozens of MPB stars. In 2014, he released his debut album with flautist Rebecca Kleinmann, Brasiliense, which features his original compositions reflecting his love of jazz and Impressionism and his growing mastery of Brazilian musical forms. He followed up with 2016’s Metal na Madeira, a collaboration with acclaimed vocalist Paula Santoro, who hails from Minas Gerais. Conjuring the physical and cultural landscape of Brazil’s northeast with maracatu, frevo, baião, xote, and toada rhythms, the project features an all-star cast of collaborators. Since then, Faquini has focused on his partnership with trombonist, vocalist, and lyricist Natalie Cressman, with whom he was a finalist for duo of the year in 2023’s Jazz Journalists Critics Poll. They’ve recorded three albums, 2019’s Setting Rays of Summer, 2022’s Auburn Whisper, and the soon-to-be released Guinga, a tribute that features the maestro on five tracks.
With a singular set of skills, highly personal compositional style, and lush harmonic palette, Faquini is one of the most respected guitar players in the San Francisco Bay Area. He’s also a brilliant accompanist, which has made him an in-demand collaborator with vocalists around the U.S. and Brazil. Beyond his work with Guinga, he has performed with some of the most illustrious figures in jazz and Brazilian music, including Fleurine, Spok, Lee Konitz, Brad Mehldau, and many others. Faquini has performed throughout Europe, Japan, Brazil and the United States, including Montreux Jazz Festival, Enjoy Jazz Festival, Bimhuis (Amsterdam), Birdland (NYC), and The A Trane (Berlin).
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Possessing a voice as cool and crystalline as an Alpine stream, Natalie Cressman draws inspiration from a vast array of musical currents. Deeply versed in Latin jazz, post-bop, pop, and Brazilian music, she’s released three albums under her own name as well as three acclaimed duo albums with Brazilian-born guitarist Ian Faquini, her primary musical partner for the past decade. Focusing on their original songs, the duo’s recordings include 2019’s Setting Rays of Summer, 2022’s Auburn Whisper, and the soon-to-be-released Guinga, a tribute to the revered Brazilian composer and guitarist. Cressman’s trombone prowess has earned her widespread recognition. In both 2019 and 2023 Downbeat awarded her “Rising Star Trombone” honors in the magazine’s annual critics’ poll. She’s spent the last 14 years touring as a horn player and vocalist with Phish's Trey Anastasio, while also performing around NYC with jazz greats Wycliffe Gordon, Nicholas Payton, Anat Cohen, Dave Douglas, and Peter Apfelbaum.
Drawing on her love of groove, cool R&B and jazz, Cressman released the solo albums, Unfolding (2012) and Turn the Sea (2014), followed by Etchings in Amber (2016), a gorgeous duo album with guitarist Mike Bono that introduced Cressman as a formidable musical force without her horn. She released The Traces EP in 2017, which expanded her creative reach into post-production with meticulously crafted soundscaped tracks inspired by R&B and indie pop. Her passion for groove music hasn’t diluted her love of jazz. In 2016 SFJAZZ commissioned her to develop music for a concert celebrating the legacy of jazz trombonist/arranger Melba Liston. When she’s not performing her own music, Cressman can be found collaborating with some of the most illustrious figures in rock, funk, jazz and beyond such as Carlos Santana, Phish, Big Gigantic, Escort, Phil Lesh, Oteil Burbridge, The Motet, and Umphrey's McGee.