$15 youth, $25 Senior/Student, $30 general admission
Tickets available through Eventbrite.
Woman, (re)Defined
Women are so often defined by their relationships to other people. She is not a woman, she is a wife, a mother, a daughter, a sister. Our society casts women in these concrete, singular roles. But women are anything but singular, and within a woman’s complex being lies all the wonders and mysteries of the human experience. A Woman may be a wife, a mother, a daughter, or a sister. And that is not all.
Artist Profile
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Praised for her "robust and luxuriant tone”, soprano Caroline Corrales is a star on the rise.
Caroline is a second-year Adler Fellow with The San Francisco Opera, where her engagements include Moira The Handmaid’s Tale, Mimi Bohème out of the Box, Mimi La Bohème (cover), and Erste Dame Die Zauberflöte (cover). This season, Caroline can also be seen as Mimi La Bohème with Opera Naples.
Caroline has trained as a Young Artist with the Merola Opera Program, as an Apprentice Singer with The Santa Fe Opera, and as a Young Artist with the Boston University Opera Institute. Recent stage credits include the roles of Female Chorus The Rape of Lucretia, Ma Zegner Proving Up, Anne Trulove The Rake's Progress, and scenes as Rosalinde Die Fledermaus and Donna Elvira Don Giovanni, and the title character in Rusalka.
On the concert stage, Caroline has been featured as the soloist in Carmina Burana, The Messiah, Verdi Requiem (cover), Mozart Requiem, and is a frequent collaborator with The Boston Pops Symphony.
An avid competitor, Caroline has been awarded five times from The Metropolitan Opera Laffont Competition. She has also won awards from the Pasadena Vocal Competition, St. Botolph Club Foundation, Orpheus Vocal Competition, and Concurso Internacional de Canto Tenor Viñas.
Caroline holds a Master of Music degree from Boston University, and a Bachelor of Music degree from Webster University.